A film which questions the gospels of the gun; its images flowing in search of woman’s political and historical identity in the Middle East … Throughout the film, an Arab woman wanders through real and imaginary landscapes of Lebanon and Palestine encountering voices from the peripheries of middle-Eastern politics: uncovering submerged yearnings and testaments of Arab women’s resilience. In her wanderings, she returns over and over again to Lebanon, the “jewel in the crown” of French colonial twilight states, a country in which crimes of honour took the lives of two women a week during the 70s. Yet Leila is not an anthropological journey but a survey of mythic and symbolical protest. Through her “eye” comes a search for political character in a Lebanon now permanently stained by the massacre of Sabra and Chatilla; caught in the throes of bitter civil war, Israel’s ‘backyard’. Leila prods these moments of loss and discovers ghosts of a very different life before the wolves. (John Akomfrah)
Digital Restoration by CNC.
Selected for Venice Classics 2021.
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Credits
Heiny Srour
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Arabic
Lebanon, United Kingdom
1984