Arnfield, Maximova, Jørgensen

Whilst seeking the outer limits of the saturated image Graeme Arnfield tells the unearthed, peculiar story of AIDS, one of the earliest examples of ransomware.

In Sway A Way, film from a cell phone falling down an aircraft, GoPro cameras getting lost in the ocean, tumbling down rivers, or picked up by birds, come together in a continuous filmic whirlpool.

Public light rips through the night of a modern city. Sleeplessness is lit up by a computer monitor in an urban space, where day and night are no longer distinguished. A nocturnal journey through a strongly lit and populated city as a filmmaker reflects upon the increase of new ...