Review: ‘Black Coal’ - Zack Miller
The only thing slicker than the ice that coats the ground in Diao Yi’nan’s ‘Black Coal’ is the heavy aestheticism that has dominated the neo-noir genre of ...
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Review: ‘Reality’ - Chris Frieswijk
'Reality' is like a graphic by M.C. Escher: a film that'll actively approach your viewing experience and its conventions. It might leave the viewer puzzling ...
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Review: An Educator’s Devotion and the Wrong Kind of Intimacy in ‘The Kindergarten Teacher’ - Fran Hoepfner
Educators are tasked with a great responsibility: inspiring a thirst for knowledge and a passion for art and science in each generation’s youth. Nadav Lapid’s ...
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Review: ‘Gente de Bien’ - Vanity Celis
Franco Lolli's debut feature is a contemporary exercise in Neorealism that concerns itself with the misfortunes of a slightly disheveled pair. Ten-year-old ...
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Review: ‘White God’ - Andrew Lapin
Kornél Mundruczó’s animal fable ‘White God’ depicts the stray dogs of Budapest rising up against their human tormenters after putting up with one too many ...
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'Gente de Bien' by Franco Lolli wins Grand Prix for Best Film at the 41st Film Fest Gent
On Wednesday the 22nd of October the international jury of Film Fest Gent announced the winners in different competitions.
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Review: 'Waste Land' - Andrew Lapin
The line between seen and unseen threats is a prominent theme in Pieter Van Hees’s 'Waste Land'. What begins with a straight-shooting yet violently impulsive ...
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