Dcc31dcd c298 4fa9 b8f1 50b1a88ed572

Kelly Reichardt

The Mastermind

Director Kelly Reichardt Music (original) Rob Mazurek Cast Josh O'Connor, Alana Haim, Bill Camp, Gaby Hoffmann
110' - 2025 - Crime, Historical - Format: DCP - Dialogue: English
In a sedate corner of Massachusetts, circa 1970, a self-absorbed, unemployed carpenter by the name of James B. Mooney (Josh O'Connor, fresh off La chimera and Challengers) plans his first big art heist. Set against the backdrop of anti-war protests, Kelly Reichardt's latest is another entry into her gentle and poetic filmography on American life in the margins. The beloved American chronicler spins her own variation on the heist movie, away from Soderbergh, Mann and Tarantino, moving it into her own territory of quiet minimalism. Less about the robbery itself and more about the emotional fallout and disillusionment, The Mastermind may not be about a true mastermind, but is unquestionably directed by one.
Steering clear from genre classics, Kelly Reichardt spins her own take on the heist movie.

A family outing to the (fictional) Framingham Museum of Art in Massachusetts, sometime in the early 1970s. While his wife Terri (Alana Haim of the Haim sisters) and their two kids take in the art, James B. Mooney (arthouse and Hollywood heartthrob Josh O’Connor) keeps a closer eye on the security system, as he’s planning to steal a couple of paintings by American abstractionist Arthur Dove. Beneath the seventies clothes and cool charm, James is a lonely, unemployed carpenter gradually growing distant from his family, and society. He leans on the generosity of his mother and hides behind the prestige of his father, a high-ranking judge. Even the political protests in the streets leave him cold. While the Vietnam War scars the lives of many Americans, Mooney is sinking into a hole of his own making.

Inspired by various real-life art heists, director Kelly Reichardt spins her own take on the heist movie. Widely regarded as one of America’s greatest chroniclers, particularly of those living on the fringes, Reichardt has been dubbed “the patron saint of American outcasts” by film magazine Humbug. Her films are often quiet, contemplative portraits of lives lived on the margins. She doesn’t favour action or intricate plotting, but finds beauty in the flaws of everyday people. The Mastermind steers well clear of genre staples like Ocean’s Eleven or Reservoir Dogs, aligning more closely with the austere style of Robert Bresson and Jean-Pierre Melville than with Tarantino’s violent flair, though it’s laced with a surprising amount of deadpan humor.

After intimate portraits of women in Wendy and Lucy and Certain Women, contemporary critiques like Night Moves, and frontier tales First Cow and Meek’s Cutoff, Reichardt turns her gaze - for the first time - toward the turbulent 1970s, an era marked by anti-war protests that filled the streets (the U.S. would ultimately withdraw from Vietnam in 1975). The suburbs, once sold as the cradle of the American Dream, were home to adults who dared to dream, yet flew too close to the sun. James Mooney is one of them.

Image gallery

77cc6816 945a 4d5d bd2c 17db3e78af03
C40bb4f4 555d 4bc4 b0b5 3444341bce57
Dcc31dcd c298 4fa9 b8f1 50b1a88ed572

Credits

Directors

Kelly Reichardt

Music (original)

Rob Mazurek

Cast

Josh O'Connor, Alana Haim, Bill Camp, Gaby Hoffmann

Scenario

Kelly Reichardt

Director of Photography

Christopher Blauvelt

Editors

Kelly Reichardt

Producers

Neil Kopp, Vincent Savino, Anish Savjani

Sales agent

MUBI

Production studios

Film Science, MUBI

Distributor

Cinéart

More info

Dialogue

English

Countries of production

United States of America

Year

2025

Filmography

Kelly Reichardt
River of Grass (1994), Ode (1999), Old Joy (2006), Wendy and Lucy (2008), Then a Year (short, 2009), Meek's Cutoff (2010), Night Moves (2013), Certain Women (2016), First Cow (2019), Owl (short, 2019), Bronx, New York, November 2019 (short, 2021), Cal State Long Beach, CA, January 2020 (short, 2021), Showing Up (2022), The Mastermind (2025)

Technical Specs

Format
DCP