09 20 Oct '24

Programme edition 2021

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Alles wissen

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Alles wissen

A

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Permissible Dreams traces the life of Oum Said, a woman farmer living in a small town on the Suez Canal. Although she does not read or write, the woman in question is her family’s economist, doctor, and the planner of its future, as she dreams “to the limits of her ...
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Al-Sandawich (The Sandwich)

Atteyat Al-Abnoudy
The Sandwich explores the daily life and work of children in Abnoud, a rural village located 600 kilometres to the south of Cairo, where the trains that carry the tourists to the south of Egypt pass through without stopping.

B

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Gunfire and song mix with a poetic voice-over written by the Lebanese writer and painter Etel Adnan (who also wrote a text for Letter from Beirut) in what would become the first entry in Saab’s “Beirut Trilogy”, which searches for traces of life amid the bombed-out buildings ...
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Beirut, My City finds Saab and her collaborator, the playwright and director Roger Assaf, returning to the shell of her former home following Israel’s 1982 invasion, finding small glimmers of hope in the chaos of refugee camps and the rubble of decimated neighborhoods.
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In Seas of Thirst, Al-Abnoudy moves away from her usual exploration of Egypt’s south to the north of the country, wherein she captures communities living near the salty lakes of El Borrolos during a treacherous drought.

E

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Days after the massacre of Karantina, in a predominantly Muslim shanty town in Beirut, Jocelyne Saab met children who’d escaped, and who were deeply traumatised by the horrific fighting they’d seen with their own eyes.

F

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Palestinian women, the often-forgotten victims of the Israeli-Palestinian War, are here given a voice by Jocelyne Saab. Commissioned by Antenne 2, but never aired.

H

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Husan al-Tin (Horse of Mud)

Atteyat Al-Abnoudy
In her first film, made on a shoestring with borrowed equipment, Atteyat Al-Abnoudy captures the basic process of mud-brick making on the banks of the Nile.

I

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Iqa' al-Haya (Rhythm of Life)

Atteyat Al-Abnoudy
A beautiful depiction of the daily life of farmers, the film unfolds in the filmmaker’s characteristically unobtrusive and deeply humane manner.

L

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La Nouba borrows the structure of the nouba, a five-part traditional Andalusian music form, to tell the story of a woman who returns to the town of her childhood fifteen years after the violent War of Independence.
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As a historian, Assia Djebar had been asked by Pathé-Gaumont to sift through some old film reels, which turned out to be discarded newsreels on the colonies, focusing on the everyday life of the Maghrebi peoples from the early twentieth century to the Second World War.
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A film which questions the gospels of the gun; its images flowing in search of woman’s political and historical identity in the Middle East.
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Three years after the beginning of the civil war in Lebanon, Jocelyne Saab returns to a Beirut that has irrevocably changed.

M

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A portrait of the City of the Dead, an inhabited cemetery just outside of Cairo and on the fringes of the city’s public dumping ground, like a living reproach and a bad conscience.

O

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OotS - Assia Djebar 1

A program in the context of Out of the Shadows / Courtisane festival.
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OotS - Assia Djebar 2

A program in the context of Out of the Shadows / Courtisane festival.
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OotS - Atteyat Al-Abnoudy 1

A compilation of short films in the context of Out of the Shadows / Courtisane festival.
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OotS - Atteyat Al-Abnoudy 2

A compilation of short films in the context of Out of the Shadows / Courtisane festival.
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OotS - Heiny Srour 1

A program in the context of Out of the Shadows / Courtisane festival.
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OotS - Heiny Srour 2

A program in the context of Out of the Shadows / Courtisane festival.
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OotS - Jocelyne Saab 1

A compilation of short films in the context of Out of the Shadows / Courtisane festival.
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OotS- Jocelyne Saab 2

A compilation of short films in the context of Out of the Shadows / Courtisane festival.

S

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In the late 60s, Dhofar rose up against the British-backed Sultanate of Oman, in a democratic, feminist guerrilla movement. Heiny Srour and her team crossed 500 miles of desert and mountains by foot, under bombardment by the British Royal Air Force, to reach the conflict zone ...

U

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In many ways the sister film to Horse of Mud, Al-Abnoudy’s second film, her graduation film at the Film School in Cairo, is a portrait of Cairo’s street performers.

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