The Missing (Bu Jian)

Lee's début is extraordinarily confident, clear-voiced and emotive in its own right, announcing an important young director to be watched. Against the sharply etched and highlighted backdrop of the city - its parks, a temple, side streets, looming high rises in the distance - Lee reveals his characters caught in a sense of loss that goes beyond the immediate circumstances: a woman who loses the child in her care at the play centre and embarks on an increasingly agonised search, the man who is missing his grandfather. With its long and carefully controlled camera movements, the concentrated looking that it encourages from the viewer, "The Missing" is an intensely visual film and becomes as much about the city itself, its buildings and spaces as about the people searching within it. The result is a film that may be about the profound sense of loss that we experience in the world today, but at the same time one that offers an experience of sustaining richness.